Let’s get the factual chronology of Corman’s films out of the way first, with “Death Race 2000” and “Death Race 2050” serving as dual portals into this sadistic, ultraviolent world. We start with the 1975 original, which uses tonal subversion to its advantage to weave a cheeky, cheeky satire on the gamification of fundamental human rights (à la “Battle Royale”). The aim is to run over different groups of people to reach the highest score, which leads to a mechanic being manipulated by resistance groups eager to put an end to such a barbaric sport. The film’s large cast puts on the toughest performances, including the always entertaining Sylvester Stallone and David Carradine, whose characters compete fiercely with each other for the title of champion.
The singular absurdity of “Death Race 2000” spills over into its sequel “Death Race 2050,” set in a time when human society is on the brink of complete and utter collapse. The only worthwhile distraction in the face of impending extinction is – you guessed it – the Death Race, which now uses the increasingly dystopian wonders of virtual reality to elevate the race to its extremes. While this sequel boasts some memorable moments, they aren’t as head-scratchingly inspired as its predecessor.
Once finished, move on to the remake with 2010’s “Death Race 2,” which is a prequel to the 2008 reboot. Perhaps the only remake to consciously play to its logic-defying strengths, “Death Race 2” sinks the its roots in the year 3000, a time that is only capable of cultivating irradiated wastelands that become the runways for the deadly encounters that take place year after year. Between the relentless bloodbath and the thrilling lack of logical consequences, “Death Race 2” never fails to amaze and entertain.
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